Play Along Piano

Tags

Opera

HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	23	19	2	6	100%
	22	21	4	6	87%
Violin 1	14	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Dorinda	11	0	2	6	77%
Contrabasses	13	0	2	4	64%
Violoncellos	13	0	2	4	64%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

N° 38. See my many coloured fields.

FranckM.

2:04	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	26	7	8	100%
	20	10	4	7	94%
Ténor	12	0	2	7	65%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	26	7	8	100%
	20	10	4	7	94%
Ténor	12	0	2	7	65%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	0	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Phantom of the Opera

bakpak2hvy

2:08	Est. Play Time
58	Measures
	3,624Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone	14	5	5	5	100%
Bassoon 1	18	5	6	2	100%
C Tuba	14	5	5	2	100%
Contrabass	12	0	5	2	100%
Violoncello	14	0	5	2	100%
Tubular Bells	14	8	2	7	96%
Horn 3 4	22	15	10	5	81%
Trombone	18	15	7	5	77%
	19	0	6	5	77%
Violin 1	20	0	4	5	77%
Viola	21	7	8	5	74%
Oboe 1	19	5	7	5	70%
B Clarinet 1	21	0	6	5	67%
B Clarinet 2	21	15	8	5	67%
B Trumpet 1	18	0	7	5	67%
Horn 1 2	17	0	6	5	67%
Violin 2	22	11	6	5	67%
B Trumpet 2	17	15	8	5	65%
Flute 1	21	0	7	5	63%
Flute 2	21	16	8	5	63%
Glockenspiel	21	12	8	5	61%
Timpani	5	0	1	4	14%

HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"

edward.maurath

1:48	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	24	20	4	5	100%
	16	7	2	6	100%
Violin 1	10	0	1	6	92%
Violin 2	15	0	1	7	92%
Violoncello	15	0	2	5	79%
Silvio	11	0	2	6	77%
Contrabasses	14	0	2	4	69%
Violoncellos	14	0	2	4	69%

Richard Strauss - Die Frau ohne Schatten Act 1 Introduction (Vocal Score)

LeftRight

1:32	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	45	47	21	11	97%
	53	41	26	11	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	45	47	21	11	97%
	53	41	26	11	100%
Der Bote	15	0	7	7	44%
Die Amme	20	0	8	9	34%

HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)

edward.maurath

1:54	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	44	5	4	100%
	16	0	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	44	5	4	100%
	16	0	2	5	100%
Cello	15	0	2	5	100%
Almirena	12	0	3	6	81%
Bass	10	0	0	5	71%
Viola	10	0	1	5	71%
Violin I	10	0	1	5	71%
Violin II	9	0	1	5	71%
Violoncellos	10	0	0	5	71%

La Serva Padrona, I. "Aspettare e non venire"

Opera Dude

1:38	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano	17	3	3	4	100%
	16	4	2	5	100%
Bassoon	16	0	2	5	69%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano	17	3	3	4	100%
	16	4	2	5	100%
Bassoon	16	0	2	5	69%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Handel: La March - D Major

edward.maurath

1:54	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Lute	13	15	2	3	93%
	17	32	3	5	100%
Bassoon	12	3	2	5	100%
BSN	15	2	1	5	100%
Kontrebaß	15	0	1	5	100%
Oboe 1	12	0	1	5	100%
Oboe 2	13	2	3	5	100%
Vcl	15	0	1	5	100%
Vla	12	3	2	5	100%
Vln	15	39	3	5	100%
Trumpet at concert pitch	12	1	1	5	75%

Dal mio cenno si venaumiliata (1730) HWV 17 "Giulio Cesare"

edward.maurath

2:03	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi	22	18	4	5	100%
	20	0	5	4	100%
Violoncello	20	0	5	4	100%
Tolomeo	14	0	3	5	76%
Violini	21	0	3	3	74%
Violoncellos	14	0	2	3	71%
Violone	14	0	2	3	71%

"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712

edward.maurath

1:31	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	0	2	3	100%
	10	0	1	3	100%
View all 15 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	14	2	3	100%
	10	1	3	100%
Harpsichord	10	1	3	100%
	14	2	3	100%
Oboe	13	3	7	100%
	12	3	5	100%
Contrabasses	14	2	3	100%
Viola	10	1	3	100%
Violoncello	14	2	3	100%
Vn 1	13	3	7	100%
Vn 2	12	3	5	100%
Bass	12	2	3	93%
Soprano	12	3	6	93%
Tenor	11	2	3	93%
Alto	12	3	4	87%

"Siet'assai superbe, oh stelle," from act 2 of 'Rodrigo,' HWV 5 (1707)

edward.maurath

1:58	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	16	10	3	5	100%
	17	0	3	4	77%
	18	6	4	5	94%
Harp (Continuo)	16	10	3	5	100%
	18	6	4	5	94%
	17	0	3	4	77%
Violoncello (Continuo)	18	0	3	5	94%
Contrabass (Continuo)	17	0	3	4	77%
Contrabasses (Continuo)	17	0	3	4	77%
Strings	16	0	3	4	77%
Violoncellos (Continuo)	18	0	3	4	77%
Rodrigo	15	0	5	7	67%

"Caro Amor" from "Il Pastor Fido," HWV 8, (1733)

edward.maurath

1:45	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
	13	0	1	5	95%
Contrabassi (Continuo)	13	0	0	3	95%
Viole 1	13	0	1	5	95%
Viole 2	13	0	1	5	95%
Violini 1	13	0	1	5	95%
Violini 2	13	0	1	5	95%
Violoncelli (Continuo)	13	0	0	3	95%
Cembalo (Continuo)	21	41	1	5	78%
	16	15	0	4	38%
Soprano as Mirtillo	9	0	0	5	44%

Wagner - Tristan und Isolde Love Duet. Professional production full score. {Unfinished.}

Jamie Holdham

1:50	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	0	10	6	71%
Horn in F	10	0	6	6	67%
View all 32 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Halfte. Br. 2. Halfte.	23	10	6	71%
Horn in F	10	6	6	67%
in F.	7	3	6	62%
Fag.	12	6	4	55%
1 Br. (allein)	4	1	5	52%
2 I.VI.	6	2	5	50%
	4	1	5	48%
1. Halfte. Vcl. 2. Halfte.	3	1	3	48%
1 Vcl. (allein)	3	1	3	48%
2 II.VI.	4	1	5	43%
	4	1	5	43%
Viol.I. 2. Halfte.	4	1	5	43%
BaBkl. in B.	8	4	5	43%
in E.	8	3	5	43%
Viol.II. 2. Halfte.	3	1	5	43%
Violas	21	10	5	43%
Violoncellos	3	1	3	43%
in F. Hr. in E.	6	2	5	38%
Hob.	10	4	3	29%
Klar. in B.	8	4	6	29%
Bassoon	8	3	4	29%
I. Pos. II.III.	7	3	3	27%
Hrfe.	14	6	1	24%
	12	7	1	24%
Engl.H.	4	1	4	24%
I. II. K.B. III. IV.	3	1	4	14%
B♭ Clarinet	3	1	2	14%
Contrabasses	2	1	4	14%
Trombone	4	2	3	14%
I. Gr.Fl. II.III.	5	2	3	10%
Oboe	1	1	2	10%
Pk.	1	1	1	5%

Bois épais (Amadis - Jean-Baptiste Lully)

Carlos E. Marrero

2:04	Est. Play Time
56	Measures
	1,148Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clave II	19	8	3	7	100%
	21	6	5	6	100%
Clave I	21	43	5	17	100%
	20	0	2	6	97%
Cello	18	0	3	6	100%
Contrabajo	19	10	3	6	100%
Violas 1	14	0	1	7	100%
Violas 2	13	0	1	6	100%
Violines 1	13	0	2	7	100%
Violines 2	13	0	3	6	100%
Amadis	12	0	2	8	75%
Oboe d'Amore	12	0	5	8	75%
Flauta	13	0	1	5	27%
Oboe	7	0	1	5	27%
Fagot 1	9	0	0	6	25%
Fagot 2	15	0	1	5	25%
Clarinete en Si♭	8	0	1	5	9%